They say that Barolo is the ‘King of Wines and the Wine of Kings’. It is certainly a very special, complex red wine from the region of Piedmont – known to Italians as Piemonte. It is made from 100 per cent Nebbiolo grape and produced exclusively in the very heart of the Langhe, that glorious land of soft hills and medieval castles, romantic villages and deep forests just south of the town of Alba. Eleven municipalities in the Langhe form the official areas of production for Barolo, and give the wine its DOCG classification, which is the highest classification that Italian wine can be awarded. The classification Denominazione di Origine Controllata e Garantita (‘Controlled and Guaranteed Denomination of Origin’) means that there are controlled production methods (controllata) and guaranteed wine quality (garantita) within each and every bottle. The eleven villages that make up the official production area are Barolo, Castiglione Falletto, Serralunga d'Alba, Cherasco, Diano d'Alba, Grinzane Cavour, La Morra, Monforte d'Alba, Novello, Roddi and Verduno.
The wines of the Langhe have a long history, although Barolo’s earliest origins are somewhat mysterious. However, it is widely believed that Barolo has been produced in the region for about two centuries. The Nebbiolo grape, from which Barolo is made, has been cultivated in the Piedmont region since at least the 18th century. Nebbiolo, named after nebbia, the Italian word for fog, flourishes in the foggy autumn months typical of the Langhe. In 1751, a batch of ‘barol’ was sent to London where it was apparently received with enormous enthusiasm. Thomas Jefferson, travelling in Europe during that period, recorded his enjoyment in his diaries with a note claiming it to be “almost as sweet as Bordeaux and as lively as Champagne”.
But Barolo did not always hold such a prestigious royal title. Prior to the 19th century, Barolo was a very different wine, mainly due to the natural cold-winter climate of the Langhe region. Fermentation would often halt prematurely in the cold cellars, which would leave residual sugar in the wine, resulting in a wine that was semi sweet and slightly fizzy (as described by Mr Jefferson), bearing little resemblance to the structured, tannic, dry red we recognise today.